BULLETIN BOARD
Wednesday 6th Nov - Desmond Dekker + The Aces. One
of the most identifiable voices of rock-steady, still best remembered
for the top ten hits 007 (Shanty Town) & The Israelites +
Aces Crew. 9pm. £10.
One of the most identifiable voices of rock-steady, Desmond Dekker
is a seminal figure in the development of reggae music and was
once one of Jamaica's most popular figures. In the U.S., he is
still best remembered for the 1969 Top Ten hit "Israelites"
that he recorded with his band the Aces. It was a chart
topper in England and was the first gold record ever issued in
Jamaica. In the states the song was presented as a novelty song
since few could understand the meaning of the puzzling lyrics
which are actually a cry against the oppression and brutal conditions
daily faced by most modern-day African-Jamaicans. The lyrics "Get
up in the morning slaving for bread sir, Get up in the morning,
same thing for breakfast" are a sly reference to slaving,
meaning that most have to get up early so they can slave away
for a little bit of money.
Desmond Dekker was born Desmond Dacre in Kingston. By the time
he was in his early teens, Dekker knew that he wanted to sing,
but getting a contract in the early '60s was difficult. The main
producer in Kingston back then was Leslie Kong who produced
the early records of giants Jimmy Cliff and Derrick
Morgan. Kong, who would only infrequently seek out new talent,
eventually agreed to give Dekker a chance after Dekker literally
pushed his way into Kong's office and demanded an audition. With
studio keyboardist Theophilus "Easy Snappin" Beckford
playing along, Dekker proceeded to sing his "Honor Your Father
and Your Mother." Beckford was deeply impressed as were the
others who made him sing it several times. He also sang "Madgie"
another of his songs. After that, he was given a rehearsal date
and a recording time. The recording session included such distinguished
players as Morgan, Cliff, Frank Coslo, Eric Morris, and Andy
& Joey to wax the songs he had auditioned. Kong correctly
predicted that "Honor Your Father and Your Mother,"
the A-side of the single would be a hit. While waiting for the
single's release, Dekker returned to his day job where he met
a young co-worker, Bob Marley, another aspiring musician
-- Dekker then introduced Marley to Kong. Both Dekker and Marley's
singles came out about the same time, but it was Dekker who hit
the jackpot. His next single was the gospel-inflected "Sinners
Come On Home"/"Labor for Learning." Working with
Kong, Dekker created a number of classic tracks that continue
to be recorded by others today including "Rude Boy Train,"
"Intensified," and "Pretty Africa."
While he and Kong had been pretty tight throughout the decade,
in the late '60s things changed when Kong began focussing most
of his attention on producing the new sensation from Barbados'
Jackie Opel, shorting the old guard on recording time.
Bob Marley finally got fed up and moved to work with Coxsone
Dodd. Eventually, Dekker too left -- joining instead Duke
Reid. On the day he was to record with Reid, Kong showed up
and begged him to return. Dekker recorded "Get Up Adina"
and "King of Ska" with his back-up band, the Aces. They
had international success with "007" a song credited
with shaping the direction of future rock-steady music. The song
reached the top of Jamaican charts and peaked at number 15 on
the U.K. charts. In 1968, Dekker's song "Intensified"
won the Jamaica Festival song competition. Following the success
of "Israelites," Dekker left his Aces and toured as
a solo act. Solo successes include "A It Mek," a song
he wrote about his little sister. Later he had another smash hit
with his cover of Jimmy Cliff's "You Can Get It if You Really
Want." As reggae music began to overshadow rock-steady through
the 1970s, Dekker's popularity began to fade a bit. By the late-'70s,
his career was revitalized by the british ska-revival. He signed
to Stiff Records and recorded two albums including 1980's Black
and Dekker, but since then has only infrequently recorded.
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