Bamjimba: 'Routes'
Routes is Bamjimba's second album. Like their impressive
debut CD I Love, Routes has the loose affable
feel of a musician's collective, but now with an even more impressive
roll call of musicians on the credits, two notable names being
foundation UK reggae producer Dennis Bovell on bass and legendary
Skatalites trombonist Rico Rodrigues on, naturally, trombone.
All told, 29 musicians and vocalists are listed, twice as many
as on Routes, and to organise such an array of musical
talent, some tight orchestration clearly underpins Bamjimba's
deceptively loose and experimental vibe.
The album begins with The Dedication, a spaghetti-western
style tolling bell and medley of hymns while the closing track
Deluge comes complete with pouring rain and thunderclaps,
fading out wittily on the venerable hymn 'For Those In Peril On
The Sea' and bringing the listener around full circle to a satisfying
conclusion. Such attention to detail is characteristic of Bamjimba's
high production standards.
The spirituality of Routes is often reminiscent of avant-garde
jazz great John Coltrane and second track The Guide which
kicks off the vocal contribution of singer El Fata has more than
a touch of Coltrane's A Love Supreme with El Fata's haunting echoed
voice in duet with flute and soprano sax. The Urban Voice quartet
throughout gives a gospel feel to the musical proceedings while
El Fata's vocals often have the anthemic feel of Bob Marley in
his Seventies global pomp.
Train To Seven Sisters, another standout track, serves
up a dark vision of North London urban paranoia with its opening
police sirens and Victoria Line underground train, building through
harmonica, gruff horn and wailing Arab pipes to a wider vision
of the global urban souk. In contrast, Sail Away, featuring
the great Rico Rodriguez, is an ethereal summery affair of steel
pans and El Fata's wistful vocals.
Routes is an appropriate title for this album since reggae
is the starting point here but definitely not the musical Highway
Code. There is a questing feel to the whole Bamjimba enterprise,
again reminiscent of the later John Coltrane, as though the torch
lit by the first album has been carried further down the road
but the destination has yet to be decided. Where are Bamjimba
going next? Forward the third album!